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Daisy Edgar-Jones and Jacob Elordi’s 50% Rotten Tomatoes Romance Drama Sets Streaming Release
Daisy Edgar-Jones and Jacob Elordi’s romance drama, with a 50% Rotten Tomatoes rating, is set for a streaming release this month.
Daisy Edgar-Jones is opening up about her new thriller "Fresh," which is streaming now on Hulu. The movie, which also stars Sebastian Stan, is a little tricky to describe without spoiling one of ...
Jones' year. The Normal People actress captured our hearts with her role as Kate in Twisters (as well as her viral Hot Ones ...
What looks like a romantic comedy starring Daisy Edgar-Jones and Sebastian Stan turns out to be an intense drama called "Fresh" with an unusual twist. Sandy Kenyon has more.
Daisy Edgar-Jones makes a refreshing statement about her male co-stars - ‘That’s why they’re so successful’ said the ...
On Swift Horses makes its streaming debut on Netflix on August 23, 2025, as part of Sony’s deal with the platform, where it will remain available for only eighteen months. It arrives shortly after the ...
The hit BBC adaptation of Sally Rooney's bestselling novel, Normal People, is finally available to stream on Netflix — and it ...
Impossible,' 'The Bad Guys 2,' ‘The Map That Leads to You,' and more movie night hits just landed on streaming.
Daisy Edgar-Jones is featured in the new trailer, which dropped Wednesday, as Kate Cooper, a former storm chaser, who crosses paths with Tyler Owens, played by Glen Powell, a reckless social-media ...
Preview: Daisy Edgar-Jones is aboard to star in a new ‘Sense & Sensibility’ Adaptation. Georgia Oakley is directing it. Focus Features is backing the new movie. Rivaling fellow Jane Austen ...
Daisy Edgar-Jones is Elinor Dashwood! The actress's next project will see her in yet another book-to-screen adaptation — this time as the lead in a new film treatment of Jane Austen 's Sense and ...
Daisy Edgar-Jones will star in a remake of “Sense and Sensibility,” which is in the works at Focus Features. Georgia Oakley (“Blue Jean”) will direct the new take on Jane Austen’s ...
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