The New York Times

Sasha Waltz’s ‘In C’ Marries Choreography and Improvisation

Performances in N.Y.C. Advertisement Supported by Waltz’s dance, born in deep lockdown, embraces the openness and fluidity of Terry Riley’s classic minimalist score. It’s coming to BAM. By A.J.
The New York Times

Review: Sasha Waltz’s Action Painting Swirls to ‘In C’

Performances in N.Y.C. Advertisement Supported by Waltz’s dance to Terry Riley’s seminal score, at the Brooklyn Academy, is loose and cheerful, giving a spatial sense of the suspension of time. By ...
The Advocate

Dance 'is the heartbeat of Cajun music': Learning the waltz and two-step in Acadiana

A dance floor is a place of joy, where people have a chance to do more than listen to music — they can really experience it, adding their own creativity to the infectious beats that fill the air ...
NewsBytes

Waltz v/s tap dance: Which is better for your fitness?

Waltz and tap dance are two of the most popular dance forms, each of which offers unique benefits. While waltz is known for its graceful movements and smooth transitions, tap dance is recognized for ...