The Palacio de Bellas Artes is a majestic art nouveau gem in the heart of Mexico City, standing on the edge of the oldest urban green space in the Americas, the Alameda Central. Considered one of the ...

Established over six decades ago, Ballet Folklorico de Mexico de Amalia Hernandez has represented Mexico in the most renowned stages. It has been able to reach great audiences – both Mexican and ...

For six decades Ballet Folklórico de México has brought Mexican history and culture to stages around the world. Come see exquisite folk dances accompanied by a traditional mariachi band and colorful ...

The Auditorium has announced the return of Ballet Folklórico de México de Amalia Hernández, last seen on The Auditorium stage in 2022, in a one-weekend-only engagement celebrating the dynamic history ...

In 1952, dancer and choreographer Amalia Hernández founded the Ballet Folklórico de México, having embarked at a very early age on a quest to preserve the dancing traditions of Mexico. Her goal was to ...

Ballet Folklórico de Mexico de Amalia Hernández was founded in 1952. Credit: Courtesy of Tobin Center for the Performing Arts For seven decades, Ballet Folklórico de Mexico de Amalia Hernández has ...

Ballet Folklórico de México de Amalia Hernández turns an impressive 60 years old this year. However, some of the most vibrant dances the company showcases date much earlier — try centuries ago. When ...

LUBBOCK, TX (KCBD) - Members of Ballet de Mexico de Amalia Hernandez and the Lubbock-based Raίces Compañίa de Danza will host a master class training and dance showcase from March 15-17. The master ...

The Red & Black is a 501c3 nonprofit. Please consider a one-time gift or become a monthly supporter. Cancel anytime. On Feb. 4, the Ballet Folklórico de México de Amalia Hernández will celebrate its ...

BOONE — Appalachian State University continues it’s 2018-2019 Performing Arts Series with a performance by the internationally acclaimed Ballet Folklórico de Mexico at 7 p.m. on Wednesday at the ...

From a young age, choreographer Amalia Hernández knew she was going to be a dancer. However, the classical training at Mexico’s National School of Dance didn’t feel right. There was no emotion, no ...